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London Calling!

For a long time, the prevailing opinion was that London has nothing more to offer, and some of the new and certainly old already established names are here to deny all the bad language These shows are just a preview of what’s to come during fashion week, which continues with new, exciting displays of creativity and innovation. See them all below.
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GEORGE V MAGAZINE
Neubauer Artists LLC
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Shows that marked LFW 2025

By some unwritten rule, London Fashion Week is always a bit shorter than the others, but it’s also always much more interesting than the others, at least in terms of design.

Burberry’s Fall 2025 show was all about statement outerwear, with a focus on coats, trench coats, raincoats and heavy earth-toned scarves. The collection was simple and functional, inspired by British nature and high society, with models wearing garments that were both protective and warm, such as leather jackets, knitted ensembles and velvet suits. The show had a bohemian touch, with details such as fringed coats and decor reminiscent of aristocratic interiors, all with the signature Burberry checkerboard print and protection from various weather conditions.

Simone Rocha

Simone Rocha is on the Fall/Winter 2025-2026 show. presented a collection that dealt with the themes of nostalgia, imagination and restraint, inspired by the story of 
the Frog and the Rabbit . Rocha explored the tension between patience and urgency, structure and fluidity, which shaped her work. The collection featured signature motifs such as deconstructed faux fur coats, pink silk jacquard dresses and tweed bouclés, while details such as undergarments, ribbons and ruffles added complexity. Rocha continues its light and steady path, with a clear vision rich in history, craft and a quiet challenge to norms.

Harris Reed

At London Fashion Week, Harris Reed delighted again with his spectacular show, which was a real fashion show. His muse, Florence Pugh, opened the show wearing a sculptural black dress with a hood, corset and sheer veil, with a performance of Metallica songs, which added a dramatic, gothic element to the overall atmosphere. The collection featured strong, sculptural silhouettes, with elements of punk and structured detailing, a return to Reed’s previous work, but also a continuation of his association with the experimental designs of Central Saint Martins. The fashion show carried a strong message about the current state of the world, in a style that pushed the boundaries of fashion and art.

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