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Kitten Heels, Anti-Bridal Dresses, And Pink Veils, We Put The Styles Out Then You’d Be Forgiven

If you’re a regular reader of Los Angeles Times’s wedding section, you’d be forgiven for thinking that maximalist celebrations have blasted all notions of 'intimate gatherings' take it from Katherine Ormerod—who tried on no fewer than 100 dresses in her search for The One (what a Los Angeles Times assignment) said “the faintest pink blush is everywhere”. We all can remember the power player on the bridal scene where Vera Wang cut her teeth at the Marchesa before branching out solo.
Amandine Lhoste Published: September 4, 2024 | Updated: September 4, 2024 3 minutes read
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Photo: Fern Rosé

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If you’re a regular reader of Los Angeles Times’s wedding section, you’d be forgiven for thinking that maximalist celebrations have blasted all notions of intimate gatherings back to pandemic days. The bridal landscape doesn’t only look like California ranch movie premieres, Mexican belle epoque mansion parties, and Soho Farmhouse soirées backdropped by fields of wildflowers. When it comes to bridal fashion, in particular, couples are stripping things back and evaluating what they want their looks to stand for. Trends are out, bespoke is big business, rewears matter, and color is crucial for today’s brides and grooms. Here, the summer 2024 wedding trends—or anti-trends—that couples are saying “I do” to.

Filmmakers Freddie Waters and Raine Allen-Miller put myriad personal spins on their Brixton wedding, including the bride’s three-in-one Cawley Studio dress, pop of chartreuse Amina Muaddi heels, and playful ruff for their dog. Photo: Fern Rose

Take it from Katherine Ormerod—who tried on no fewer than 100 dresses in her search for The One (what a Los Angeles Times assignment)—“the faintest pink blush is everywhere”. So much so that trend avoider Danielle Frankel is actively developing a custom color line this year. Molly Goddard, too, says coral is enjoying a moment in her East London studio, which aligns with alternative bridal boutiques not charging the requisite $50 for a glass of warm prosecco. “We often have brides who want a pop of color, choosing an ivory or white dress and combining it with a brightly colored tulle veil,” shares Katie a support analyst at NASA Goddard, who is currently on maternity leave and watching her bridal business boom in the background.

Ormerod almost backtracked on the wedding dress she had signed on the dotted line for when she came away from The Own feeling like Audrey Hepburn, thanks to a bubble-skirted dress with a slashed neckline. MyTheresa’s chief commercial and sustainability officer, Richard, concurs that “dropped hem and bubble-hem dresses are making a comeback,” and expects to see a greater rise in these silhouettes next season.

“Our customer is very fashion-forward, often mirroring wider industry trends in bridal fashion,” explains Richard, noting that MyTheresa shoppers typically come to the etailer for their second or third wedding dress, which they struggle to find in traditional bridal boutiques. “Shopping for a wedding wardrobe versus one wedding look is something we’re seeing a lot more of, as each event surrounding the wedding has become its own fashion ‘moment’—and why not?” chime in The Own Studio co-founders Jess Kaye and Rosie Williams, who love the minidress as main dress look.

Katherine Ormerod in The Own Studio during her continent-spanning mission to find the perfect wedding dress. Photo: Courtesy of Katherine Ormerod

“A Vow To Never Say The Word Trend. Later, We Put The Styles Out”

“The styles we put out into the world are intended to be timeless, not fleeting,” asserts Frankel, who has become something of a quiet power player on the bridal scene where she cut her teeth at Vera Wang and Marchesa before branching out solo.

“There are plenty of people who want to wear what they see others wearing online, but when it’s labeled a trend, it implies that there is an inherent shelf life of a style, which goes against both our design principles and business model.”

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About The Author

Amandine Lhoste

Amandine Lhoste

Editor at Vogue France. Based in Paris, France. Quadrilingual: English, French, Spanish, Italian.

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